"Law of Mosaics" score cover design by Emily Weidenhof

"Law of Mosaics" score cover design
by Emily Weidenhof

The Law of Mosaics: music of Ted Hearne and Andrew Norman  (Crier Records, 2013) album art by Rachel Perry Welty design by Laura Grey

The Law of Mosaics: music of Ted Hearne and Andrew Norman 
(Crier Records, 2013)
album art by Rachel Perry Welty
design by Laura Grey

stream the entire piece here, or on my bandcamp:

LAW OF MOSAICS

ensemble string orchestra (5.4.4.3.2 or greater)
duration 30 minutes
written fall 2012
written for A Far Cry
commissioned by the Barlow Endowment for Music Composition
premiere May 12, 2013, The Gardner Museum, Boston
publisher Unsettlement Music
recording The Law of Mosaics: Music of Ted Hearne and Andrew Norman, Crier Records (2014)

 

additional performances: 
Chicago Symphony Orchestra (Chris Rountree, conductor)
Harris Theater, Chicago
Nov. 21, 2015

San Francisco Symphony
Soundbox at Davies Hall, San Francisco
April 9-10, 2015

Wild Up and The Colburn Orchestra
Zipper Hall, Los Angeles
November 2, 2014

Ensemble LPR
le Poisson Rouge, New York
May 28, 2014
 

notes
"Thomas Jefferson went through the New Testament and removed all the miracles, leaving only the teachings."

"Meaning is a matter of adjacent data."

"The law of mosaics: how to deal with parts in the absence of wholes."

These passages, along with many others, are appropriated from a variety of sources and arranged by David Shields into his 2010 book, Reality Hunger: A Manifesto. It is a patchwork treatise on art and digital culture, and is an inspiration for Law of Mosaics - a new 30-minute piece for A Far Cry. 

The musical material from the first movement, Excerpts from the middle of something, is lush and climactic - but it is also a fish out of water, removed from surrounding music that might help it be better contextualized. It could follow a tense build-up, or precede a climax and resolution, but instead we hear it repeated and revised. As the material circles in on itself, it begins to make sense on its own, but never really "goes" anywhere.

The second movement, Palindrome for Andrew Norman, is constructed entirely of samples lifed from other pieces of music. Each plays an important or climactic role in the piece from which it is lifted, but is used here as a single building block in the construction of a symmetrical (and rather arbitrary) formal structure: the palindrome. Each sample is altered from its original composition in some way: it may appear backwards, or revoiced, or as a canon with itself, but an element of its essential character is always preserved.  Andrew Norman is a contemporary composer from New York whose 2010 string trio The Companion Guide to Romeis heard among the many snippets of source material in this movement.

In some way, the rich history of works written for the string orchestra informs and influences every performance by every individual string orchestra active today, whether they choose to perform those works or not. Climactic moments from "Adagio for Strings" and "The Four Seasons," slowed down and layered on top of one another explores what can happen when two "staples" of the repertoire (likely to be found on a Best Classical Hits CD) are stretched out and mashed up. 

The fourth movement, Beats, is driven by noise, punk and electronic music more than classical music influences. A simple and clear form is filled with music that plays with the space between pitch and non-pitched sound. 

Climactic moments from movement three, three times as slow as before is simply a reframing of music you have already heard. 

The warp and woof refers to the lengthwise (warp) and crosswise (woof) threads that together create the texture and foundation of a woven fabric. It is a fitting end for a piece that imagines the framing of musical content to be as integral to the structure of a work as the way that content is framed.

 

 

 


WORKS

LARGE WORKS WITH VOICES

Coloring Book (2015, 30 min.)
vocal octet
The Source (2014, 65 min.)
7 instruments, 4 voices
Sound from the Bench (2014, 40 min.)
mixed choir with 2 electric guitars and percussion
Partition (2010, 20 min.)
mixed choir with full orchestra
Katrina Ballads (2007, 60 min.)
11 instruments, 5 voices


ORCHESTRA

Dispatches (2015, 18 min.)
large orchestra
Respirator (2015, 13 min.)
chamber orchestra
Stem (2013, 25 min.)
large orchestra
Law of Mosaics (2012, 30 min.)
string orchestra
First World (2012, 7 min.)
large chamber orchestra
Erasure Scherzo (2012, 6 min.)
large orchestra
Word for Word (2011, 10 min.)
large orchestra
Build a Room (2010, 20 min.)
concerto for trumpet and orchestra
Patriot (2007, 9 min.)
large orchestra


SOLO

DaVZ23BzMH0 (2016, 7 min.)
solo cello, with electronics
Parlor Diplomacy (2011, 20 min.)
solo piano
Nobody's (2010, 4 min.)
solo violin


CHAMBER MUSIC (2-5 instruments)

The Answer to the Question That Wings Ask (2016, 11 min.)
string quartet and narrator
Furtive Movements (2013, 14 min.)
cello and percussion
Interlude for Fingers (2013, 4 min.)
two vibraphones
Licorice Men (2011, 8 min.)
electric guitar quartet
Thaw (2009, 12 min.)
percussion quartet
Vessels (2008, 10 min.)
violin, viola, piano
Ghostspace (2009, 8 min.)
accordion, electric guitar, piano, drums
Crib Dweller (2007, 8 min.)
bass clarinet, trumpet, horn, trombone, elec. guitar
Warning Song (2006, 7 min.)
voice and cello, with electronics
23 (2005, 8 min.)
flute, horn, elec. guitar, piano, drums
One of Us, One of Them (2005, 8 min.)
piano and percussion
Forcefield (2004, 5 min.)
viola and vibraphone

CHAMBER MUSIC (6-13 instruments)

For the love of Charles Mingus (2016, 9 min.)
6 violins
Baby [an argument] (2016, 11 min.)
10 instruments
By-By Huey (2014, 10 min.)
6 instruments (vln, vc, fl, bcl, pno, perc)
"The Cage" Variations (2014, 20 min.)
6 instruments (fl, cl/bcl, vln, vc, pno, perc) with baritone solo
Crispy Gentlemen (2012, 15 min.)
7 instruments (fl/picc, cl/bcl, vln, vla, vc, pno, perc)
But I Voted for Shirley Chisholm (2012, 8 min.)
11 instruments, with electronics
Randos (2012, 8 min.)
7 instruments (L'Histoire septet)
Cutest Little Arbitrage (2011, 12 min.)
6 instruments (2 sax, trombone + rhythm section)
Is it Dirty (2010, 8 min.)
16 instruments with 2 singers
(alternate versions for 10 and 6 instruments)
Eyelid Margin (2009, 12 min.)
10 instruments (brass quintet + 5 double-reeds)
Snowball (2008, 6 min.)
8 instruments (bcl, tpt, tbn, vln, acc, egtr, pno, dr)
7 instruments (alt. version for L'Histoire septet)
Illuminating the Maze (2008, 15 min.)
6 instruments (tpt, hn, tbn, egtr, pno, dr)
Music from "Body Soldiers" (2008, 10 min.)
5 instruments with singer
Cordavi and Fig (2007, 8 min.)
13 instruments
Antiphon (2003, 8 min.)
9 instruments (3 cl, bcl, 3 tpt, tbn, pno)


CHORAL MUSIC

Coloring Book (2015, 30 min.)
Consent (2014, 7 min.)
Ripple (2012, 10 min.)
Privilege (2009, 14 min.)
Mass for St. Mary’s (2008, 10 min.)

Music for youth choir:
Room for Something (2011, 8 min.)
Away (2010, 6 min.)
Because (2006, 6 min.)
Murder on the Road in Alabama (2003, 6 min.)


SOLO VOICE

Intimacy and Resistance (2010, 5 min.)
voice and piano
Charleston Songbook (2008, 20 min.)
voice and piano w/ lead sheets
I Remember (2007, 8 min.)
for three sopranos, or one soprano w/ electronics
I Carry Your Heart (2007, 5 min.)
voice and piano


COLLABORATIVE WORKS

Hand Eye (2015)
New Dances for the League of David (2014) 
You're Causing Quite a Disturbance (2013)
R WE WHO R WE (2013)
Histories (2012)