For the love of Charles Mingus

ensemble six violins
duration 9 minutes
written spring 2015, revised spring 2016
commission New World Symphony and San Francisco Symphony
premiere (as Gut Transparencies) April 19, 2015, New World Center, Miami
violins of the New World Symphony (Zubaida Azezi, Kristin Baird, Thomas Hoffman, Alexander Lee, Julia Noone, Heather Thomas)
premiere (as For the love of Charles Mingus) April 22-23, San Francisco SoundBox
violins of the San Francisco Symphony, Chris Rountree conductor
recording coming soon
publisher Unsettlement Music

program notes For the love of Charles Mingus, inspired by Mingus's dense and soulful The Black Saint and the Sinner Lady (1963), imagines some echo of that artifact living and breathing under layers of distortion and interference. Like the sound of voices singing from inside a church when you’re passing on the street, or a song you’re barely picking up on a distant radio signal, you are drawn to imagine this music in a more complete form than you can actually hear. But you know it's there.

I love the cacophonous feel of Mingus's music, the complexity masquerading as sloppiness, his total embrace of irreducible differences and the grit between the lines. In this piece, as in Black Saint, the connective tissue is rhythmic. A stubborn polyrhythmic relationship gradually emerges from all manner of squeaks and scratches, and finally the door swings open on resonance. 

From Mingus's own liner notes for Black Saint: 

"12:8, 6:8, 9:8, 3:4 -- whatever musical stenographers may care to title what the composer heard in his head, is part of a very old idea that someday all good music will return from its assorted labels which inhibit it with fashions, styles, and certain celebrated rhythms of pounding exactness that lead this composer to believe that either the musician or the audience playing or liking such repeated debuts of so-called musical inventions must be nuts to need drums, bass, guitar, and piano to pound out the already too obvious time night after night 'til actually if sanity can't be sustained one begins to like it without twisting or even dancing, popping fingers, or at least working out one's frenzy in ye old brass bed mama."

And then later:

"I wrote the music for dancing and listening. It is true music with much and many of my meanings. It is my living epitaph from birth til the day I first heard of Bird and Diz. Now it is me again. This music is only one little wave of styles and waves of little ideas my mind has encompassed through living in a society that calls itself sane, as long as you're not behind iron bars where there at least one can't be half as crazy as in most of the ventures our leaders take upon themselves to do and think for us, even to the day we should be blown up to preserve their idea of how life should be. Crazy? They'd never get out of the observation ward at Bellevue." 


WORKS

LARGE WORKS WITH VOICES

Coloring Book (2015, 30 min.)
vocal octet
The Source (2014, 65 min.)
7 instruments, 4 voices
Sound from the Bench (2014, 40 min.)
mixed choir with 2 electric guitars and percussion
Partition (2010, 20 min.)
mixed choir with full orchestra
Katrina Ballads (2007, 60 min.)
11 instruments, 5 voices


ORCHESTRA

Dispatches (2015, 18 min.)
large orchestra
Respirator (2015, 13 min.)
chamber orchestra
Stem (2013, 25 min.)
large orchestra
Law of Mosaics (2012, 30 min.)
string orchestra
First World (2012, 7 min.)
large chamber orchestra
Erasure Scherzo (2012, 6 min.)
large orchestra
Word for Word (2011, 10 min.)
large orchestra
Build a Room (2010, 20 min.)
concerto for trumpet and orchestra
Patriot (2007, 9 min.)
large orchestra


SOLO

DaVZ23BzMH0 (2016, 7 min.)
solo cello, with electronics
Parlor Diplomacy (2011, 20 min.)
solo piano
Nobody's (2010, 4 min.)
solo violin


CHAMBER MUSIC (2-5 instruments)

The Answer to the Question That Wings Ask (2016, 11 min.)
string quartet and narrator
Furtive Movements (2013, 14 min.)
cello and percussion
Interlude for Fingers (2013, 4 min.)
two vibraphones
Licorice Men (2011, 8 min.)
electric guitar quartet
Thaw (2009, 12 min.)
percussion quartet
Vessels (2008, 10 min.)
violin, viola, piano
Ghostspace (2009, 8 min.)
accordion, electric guitar, piano, drums
Crib Dweller (2007, 8 min.)
bass clarinet, trumpet, horn, trombone, elec. guitar
Warning Song (2006, 7 min.)
voice and cello, with electronics
23 (2005, 8 min.)
flute, horn, elec. guitar, piano, drums
One of Us, One of Them (2005, 8 min.)
piano and percussion
Forcefield (2004, 5 min.)
viola and vibraphone

CHAMBER MUSIC (6-13 instruments)

For the love of Charles Mingus (2016, 9 min.)
6 violins
Baby [an argument] (2016, 11 min.)
10 instruments
By-By Huey (2014, 10 min.)
6 instruments (vln, vc, fl, bcl, pno, perc)
"The Cage" Variations (2014, 20 min.)
6 instruments (fl, cl/bcl, vln, vc, pno, perc) with baritone solo
Crispy Gentlemen (2012, 15 min.)
7 instruments (fl/picc, cl/bcl, vln, vla, vc, pno, perc)
But I Voted for Shirley Chisholm (2012, 8 min.)
11 instruments, with electronics
Randos (2012, 8 min.)
7 instruments (L'Histoire septet)
Cutest Little Arbitrage (2011, 12 min.)
6 instruments (2 sax, trombone + rhythm section)
Is it Dirty (2010, 8 min.)
16 instruments with 2 singers
(alternate versions for 10 and 6 instruments)
Eyelid Margin (2009, 12 min.)
10 instruments (brass quintet + 5 double-reeds)
Snowball (2008, 6 min.)
8 instruments (bcl, tpt, tbn, vln, acc, egtr, pno, dr)
7 instruments (alt. version for L'Histoire septet)
Illuminating the Maze (2008, 15 min.)
6 instruments (tpt, hn, tbn, egtr, pno, dr)
Music from "Body Soldiers" (2008, 10 min.)
5 instruments with singer
Cordavi and Fig (2007, 8 min.)
13 instruments
Antiphon (2003, 8 min.)
9 instruments (3 cl, bcl, 3 tpt, tbn, pno)


CHORAL MUSIC

Coloring Book (2015, 30 min.)
Consent (2014, 7 min.)
Ripple (2012, 10 min.)
Privilege (2009, 14 min.)
Mass for St. Mary’s (2008, 10 min.)

Music for youth choir:
Room for Something (2011, 8 min.)
Away (2010, 6 min.)
Because (2006, 6 min.)
Murder on the Road in Alabama (2003, 6 min.)


SOLO VOICE

Intimacy and Resistance (2010, 5 min.)
voice and piano
Charleston Songbook (2008, 20 min.)
voice and piano w/ lead sheets
I Remember (2007, 8 min.)
for three sopranos, or one soprano w/ electronics
I Carry Your Heart (2007, 5 min.)
voice and piano


COLLABORATIVE WORKS

Hand Eye (2015)
New Dances for the League of David (2014) 
You're Causing Quite a Disturbance (2013)
R WE WHO R WE (2013)
Histories (2012)