press


12.15.15 | The New Yorker | "Alex Ross: Notable Performances and Recordings of 2015"

12.10.15 | The New York Times | "The Best Classical Recordings of 2015"

12.17.15 | The Nation | "Forget what you've heard: these were the ten best albums of 2015"

11.12.15 | The Daily Dot | "This Auto-tuned opera about Chelsea Manning is positively mind-bending"

11.4.15 | Pitchfork | "Album Review: The Source"

10.19.15 | The New York Times | "Roomful of Teeth, Making Nerdiness Cool"

10.19.15 | Classicalite | "Roomful of Teeth, Ted Hearne sparkle at National Sawdust"

10.6.15 | The Nation | "Whistleblowers Composed"

10.1.15 | The San Francisco Chronicle | "At Symphony, Hearne's 'Dispatches' makes a stylistic connection"

4.20.15 | The Miami Herald | "Cross-cultural influences are evident in New World's chamber concert"

4.10.15 | The San Francisco Chronicle | "Adams family shows graceful progression in pair of concerts"

12.11.14 | The New York Times | "The Best Classical Vocal Performances of 2014."

12.12.14 | The New Yorker | "Alex Ross: Ten Notable Performances and Recordings of 2014"

10.14 | Opera News | "Review: The Source."

10.27.14 | The Wall Street Journal | "Faith and Confusion."

10.24.14 | The New York Times | "Shadowed, Clamoring, Blurry. And With Reason."

10.21.14 | The Wall Street Journal | "WikiLeaks Inspires an Operatic 'Source' at BAM"

7.17.14 | The Pittsburgh Post-Gazette | "'The Cage' Variations by Ted Hearne."

6.13.14 | The Philadelphia Inquirer | "The Crossing choir decodes the unknown"

5.19.14 | The San Francisco Chronicle | "Sound From the Bench' a Compelling Case."

2.21.14 | The New York Times | "Descents into Sounds of Dementia and War"

6.9.13 | The New York Times | "Minimalist and Rich, in the Space Between Funk and Classical"

6.9.13 | The L Magazine | "Erykah Badu: Serious Composer?"

5.22.13 | The Village Voice | "Summer Music Guide: Erykah Badu and the Brooklyn Philharmonic Team Up"

5.25.13 | Third Coast Daily (Milwaukee) | "Present Music's Wild Party of a Season Finale"

4.14.13 | The Los Angeles Times | "Brooklyn Festival samples the new classical music of the borough"

2.7.13 | Time Out Chicago | "Noise Artists Pervert Pop Music"

9.23.12 | The Albany Times-Union | "Symphony hits it right on Saturday"

9.11.12 | The New York Times | "Where Words Are the Notes"

1.29.12 | The New York Times | "New Music Opens a New Hall in a Venerable Building"

4.12.11 | The New York Times | "Turning 150, but Youthful as Ever"

4.8.11 | The New York Times | "Music Review: 21c Liederabend"

4.7.11 | The Columbia Spectator | "Yale-ites promise a 'glee'-ful experience at Carnegie Hall concert"

4.7.11 | The New York Times | "It's Yale Glee Club's Year to Look Back, and Look Ahead"

11.4.10 | Time Out: Chicago | "Ted Hearne's Katrina Ballads"

9.21.10 | The New York Times | "Green Light for Experimentalism: Tweaking Conventions and Bending Rules"

9.14.10 | Oxford American | "CD Review: Ted Hearne, Katrina Ballads"

8.30.10 | Gambit (New Orleans Alternative Weekly) | "CD Review: Ted Hearne, Katrina Ballads"

8.25.10 | The New York Times | "A Flood of Songs Washing Over A City"

7.12.10 | Pittsburgh Tribune-Review | "Fresh Perspectives in Pittsburgh New Music Ensemble Season Opener"

1.25.10 | The Huntsville Times | "A Composer Brings Message of Peace to Lee High Students"

8.26.09 | The Houston Chronicle | "Composer Hearne Captures Katrina's Despair"

4.1.09 | The New York Times | "Minimalism and a Stylistic Kaleidoscope"

8.29.08 | The New Orleans Times-Picayune | "A Lesson in the Lyrics"

5/6.08 | Yale Alumni Magazine | "Lyrics Ripped From The Headlines"

3.6.08 | The New Haven Independent | "Katrina Ballads Pierce the Heart"

6.2.07 | The Charleston Post and Courier | "A Deeply Moving Tribute"

INTERNET MEDIA

12.15 | Seth Colter Walls | My favorite 50 records from 2015

01.15 | San Francisco Classical Voice | SoundBox Composers Play with Texture and Time

01.15 | Textura | Review: A Far Cry | The Law of Mosaics'

12.10.14 | National Public Radio | NPR's Favorite Songs of 2014

10.25.14 | National Public Radio | Oratorio tackles issue of leaks from 'The Source'

10.22.14 | Dazed and Confused | Musical installation transposes Wikileaks cables into song

10.22.14 | Vol.1 Brooklyn | Discussing 'The Source' with Ted Hearne and Mark Doten

5.16.14 | SF Civic Center | Rehearsing Ted Hearne's Corporate Personhood Cantata

6.10.13 | Gawker | Erykah Badu Loves You: A Conversation with the Artist

11.12.10 | Phawker | Album Review: Ted Hearne's Katrina Ballads

8.24.10 | Step Tempest | "Modern History"

8.20.10 | Capital New York | "When Political Music is Good: Ted Hearne's Katrina Ballads"

8.15.10 | The Big City | "Un-American"

8.13.10 | All About Jazz | "Ted Hearne: Katrina Ballads"

8.10 | FredMeyer | "Ted Hearne: Katrina Ballads"

6.09 | Scene4 Magazine | "Siegfried vs. Vox"

9.08 | Buzzine Magazine | "Who Are You Angry At?"

interviews


LIQUID MUSIC | 2016 | Interview with Ted Hearne about Saul Williams collaboration

I CARE IF YOU LISTEN | 2015 | 'Five questions to Ted Hearne'

CHICAGO SYMPHONY 'SIGHTS AND SOUNDS' | 2015 | Ted Hearne on 'Law of Mosaics'

NATIONAL PUBLIC RADIO (NPR) | 2014 | 'Oratorio tackles issues of leaks from 'The Source'

DAZED AND CONFUSED | 2014 | 'Musical installation transposes Wikileaks cables into song'

VOL. 1 BROOKLYN | 2014 | 'Discussing The Source with Ted Hearne and Mark Doten'

NEW MUSIC BOX | 2010 | 'The Curious Case of Ted Hearne'

CAPITAL NEW YORK | 2010 | 'When Political Music Is Good'

COMPOSITION:TODAY | 2010 | 'Ted Hearne Interview'

INDIGEST MAGAZINE | 2010 | 'Art and Activism: An Interview With Ted Hearne'

WNYC SOUNDCHECK IN STUDIO | 2010 | 'Ted Hearne's Katrina Ballads'

THE HOUSTON CHRONICLE | 2010 | 'Composer Hearne captures Katrina's despair'

CT PUBLIC RADIO: THE FAITH MIDDLETON SHOW | 2008 | 'An Interview with Martin Bresnick and Ted Hearne'

NEW AMSTERDAM PODCAST | 2008 | 'An Interview With Ted Hearne and Nathan Koci'

CHARLESTON PUBLIC RADIO: SPOLETO TODAY | 2007 | 'An Interview With Ted Hearne and Nathan Koci'

SPOLETOBUZZ PODCAST | 2007 | 'Katrina Ballads: An Interview with Ted Hearne and Nathan Koci'